Poetrygrams, privacy and setbacks

I hate calling myself a poet, in the way I always struggled with calling myself an artist (I still don’t like calling myself an artist). To be a “poet” or an “artist” means you have received a degree of instruction, or self-taught prowess, of a calibre that it can be disseminated. I don’t think I have that distinction at all. I can barely call myself a writer. It’s easier to create some space between myself and the act: I write poetry, I make art, both are more palatable in that they aren’t claims, they aren’t identities, but they are easily identifyable actions.

At some point, I had forgone this cautionary practice and – kind of arrogantly – started calling myself a poet. For what reason? I got a handful of likes on some poetry I threw onto my Instagram feed, and it fed my ego. I wrote more stuff, and threw it on my Insta feed, and got more affirmation. Don’t get me wrong – I cared about the poetry I wrote, and I took care in the writing process. I sat on poems until I was happy with them, for weeks and months at times. But at the back of my mind, I knew the medium I was writing for. I had a formula – no more lines than can fit the length of my phone, linebreaks so that there were no run-on sentences past the width of my phone, and squat enough that the poem could be easily squared and put up on Instagram. I was immediately limited to short bursts of prettily strung together sentences that, sure enough, were poems but by no means the best poems I could write. At some point, I had accrued enough poems that I could dedicate a separate poetrygram to my work, and I did. I felt wonderful about that – maybe I could find a poetry community for myself on Instagram. I could cultivate followers, get feedback, learn from the feedback. It would be a form of workshopping that I didn’t have access to.

A few months passed. Feeling somewhat dissatisfied still, after a few months of playing around with the poetrygram, I created a poetry WordPress blog. I felt wonderful about that again, but in a slightly wiser way. That was my first inkling of understanding. Once I started writing poetry specifically for the WordPress blog, I found that I became more experimental. I started playing with formats and styles, wrote longer poems, I created room for myself to expand into. All the little lessons I had stored away in the back of my mind in my miserliness after years of reading diverse poetry finally had a space to come out in. I was Silas Marner, and this endless space for growth and writing was my Eppie. I was a surprised at how different my poetry had become, within days – I wasn’t writing for a specific medium anymore, and, honestly, I wasn’t writing for the easy validation either. I hate admitting that the influx of likes made me feel better, more talented, but it did. But I never got the poetry community, the access to the world that I wanted.

But the WordPress blog brought to light a whole other issue. With the advent of the WordPress blog, I found the courage to submit poetry to various publications and reviews, and – well – I was knocked back onto my butt with an important realization: the poetry world rewards privacy. That is to say, you can’t publish stuff that has appeared online before in any form.

I reeled. I should have known this. Somehow, I thought a blog – an Instagram feed – I thought they didn’t really count as having appeared online before. What a weird combination of arrogance and self-deprecation. In the process of years of writing dozens and dozens of poems and subsequently uploading all of them to Instagram and WordPress, I had completely nullified 80% of the opportunities available to me; I had stunted my own ability to access a poetry community. (I say 80% here because there are definitely publications out there that take work that has previously appeared online.) All this in pursuit of the instant affirmation I got from one-click uploads and Instagram-savvy/SEO-friendly (hash)tagging. All because of my inability to appreciate poetry as a private pursuit.

I felt like crap. But it was a moment of much needed clarity. I’m overwhelmingly grateful for being humbled like that. The poetry I’ve written to this point matters to me. I parsed away little pieces of myself in everything I’ve written thus far, and I’m grateful that people got to see what they did – but I need to start from scratch now. I need to keep my work close to my chest, learn to actively workshop, learn to actually utilize the lessons I take away from the poets and poetry I read, to not cater to easy validation anymore. More generally, I need to care for my privacy. I’ve received a few harsh lessons in the part regarding privacy, and I don’t seem to have learnt anything. If not for my own safety, I should at least learn from the blow my ego – my ambition – has been dealt because of my own lack of diligance and easy susceptibility to memetically engineered cultures of art.

I’ve already taken down my poetry blog. I won’t be taking down my poetrygram. I think it’s important to face the physical manifestation of my arrogance head-on and learn from it. Removing the poems I’ve written so far from the face of the internet won’t help me much anyway. It’s also way too easy to pretend I never made a mistake. But, so help me God, I won’t be putting more content on there that hasn’t already been published elsewhere. I’m also going to stop making excuses and actually go to poetry workshops from now on.

I feel wonderful.


PS: I have…more feelings about Instapoetry than I’ve let myself disclose/discuss in this blogpost. There is a whole discussion about accessibility and democratizing poetry that I haven’t really touched on. This is not a commentary on making poetry accessible, just my experience with Instapoetry culture and the adverse impact it had on me as someone trying to be better at poetry.

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